Friday, 17 April 2015

Third Sunday of Easter - 19.04.2015

FATHER LIAM SAYS: The ‘Lewes Group’ of five churches in Sussex has the finest surviving Anglo-Norman paintings and date from the year 1100 AD.  They were made by a group of painters associated with the very important Priory of St Pancras in Lewes.  The ruins of the Priory were treated with little respect when the railway was built and they nearly vanished entirely.

Lewis Priory was the first Cluniac Monastery in England.  The founders were William de Warenne and his wife Gundrada who, in about the year 1075, made a pilgrimage to Rome.  On the way through Burgundy they stayed at the Benedictine Abbey of Cluny and were very impressed.  The then Pope, Gregory VII, had been a monk at Cluny and they resolved to establish a Cluniac house in Britain.  Gundrada was buried in a chapel in Southover Parish Church nearby and her tomb can still be seen.  The scheme of paintings by this group at Hardham, Clayton, Coombes, Plumpton and Wetsmeston was different in each church but the style was similar.  The church at Clayton is much visited and depicts scenes such as The Last Judgement, Christ in Glory and The Fall of Satan.

The paintings in the little church of Hardham seem to have been covered over less than two hundred years after they had been painted and they were only rediscovered in 1866 AD.  Since then restoration has sometimes preserved them and sometimes destroyed them.  Angels above the arch are depicted as gazing on Christ as are the Jewish Doctors of the Law, situated on the left.  The Annunciation and the story of Adam and Eve are also shown.  The church at Coombes, approached through a farmyard, has its west end almost dug into the steep hillside but inside are spectacular paintings, including one (of St Christopher?) like an Atlas figure holding up the world.  At Plumpton in the grounds of the Agricultural College, a Norman church had paintings much brighter and complete than those at Clayton but back in 1868 they were obliterated.  Others were uncovered on the north wall in 1955 but they are indistinct.  Westmeston’s were destroyed shortly after being discovered in 1862.

Paintings are not the only treasures to be found in our medieval churches.  In Climping there is a ‘Crusader’s Chest’ which dates from the thirteenth century.  There is a small slot in the top as if it were a money box – which, in fact, it is.  During King John’s reign, Pope Innocent III ordered boxes or chests to be placed in all parish churches to receive donations from parishioners towards the cost of the Fifth Crusade.  They were made very large to make them difficult to steal by night.  There are intricate and rare two-layered Norman carvings around the West door and the window of the tower.

Ashurst Church boasts a Vamphorn – there are only half a dozen of them now in the whole country.  It was a musical instrument used to give pitch for singers.  Further afield, at Brightling, the parish church has the largest barrel organ in Britain in full working order, dating from 1820.  When it was installed by the generosity of the local Member of Parliament, John Fuller, he presented the male members of the choir with white smocks, buckskin breeches and yellow stockings and the ladies with red cloaks.

We know how words sometimes change their meanings – with a vengeance even.  In the south aisle of the church in Selmeston there is a brass tablet to: ‘Henry Rogers, a paineful preacher in this churche two and thirty yeeres.’  He died in 1639 at the age of sixty-seven.  Apparently the word ‘paineful’ was regularly used for ‘painstaking’ in Sussex at the time.

In the Priory church at Boxgrove there is the only complete chantry chapel remaining in all Sussex.  Chantry chapels were a feature of many parish churches and monasteries.  There were very many more priests than were necessary to serve the parishes.  Some priests taught in schools or in the homes of the wealthy.  Such priests were often asked to say quite a few Masses for someone from a wealthy family who had died.  Special chapels, known as Chantry chapels from the chanting of the Mass, were set up.  With the Reformation all this came to an end and Chantry chapels were very often destroyed.  Some wealthy families had very elaborate Chantry chapels where a priest might say Mass on most days for their deceased family members.

A most peculiar (to us) inscription is to be found on a stone in the floor of the church at Horsted Keynes.  It tells us that Henry Pigott was born on December 30th 1715 and that he was buried on March 7th 1715!  How could this be?  In those times the year began on March 25th so in fact little Henry lived for two months and a few days.

I am indebted to ‘Hidden Sussex by W. Swinfen & D. Arscott