Thursday, 28 November 2013

First Sunday of Advent - 01.12.2013


FATHER LIAM SAYS: In August 1349 Richard Fitzralph, the Archbishop of Armagh, went on an official visit to the Pope at Avignon in the South of France, where the Popes lived for seventy years from 1309.  He told the Pope that the plague had destroyed two thirds of the English nation but had not yet done any conspicuous harm to the Irish or the Scots.  The Archbishop had left Dublin in mid-July but by the time he arrived back from Avignon the situation in Ireland had become very serious.

The most likely source of the spread of the plague to Ireland is Bristol which was the main centre of Anglo-Irish trade, but it could have come directly from one of the ports of Brittany.  Friar John Clyn writes of these events happening about him: ‘In the months of September and October, bishops, prelates, priests, friars, noblemen and others, women as well as men, came in great numbers from every part of Ireland to the pilgrimage centre of That Molyngis, north of Dublin near Drogheda.  So great were their numbers that on many days it was possible to see many thousands of people flocking there; some through devotion but others (the majority indeed) through fear of the plague which then was very prevalent.  It began near Dublin at Howth and at Drogheda.  These cities were almost entirely destroyed and emptied of inhabitants so that in Dublin alone between August and Christmas fourteen thousand people died.’  At the end of his account he wrote: ‘And I Friar John Clyn, of the Order of Friars Minor and of the Convent of Kilkenny wrote in this book those notable things which happened in my time which I saw with my own eyes or which I learned from people worthy of belief.  And in case things which should be remembered perish with time and vanish from the memory of those who are to come after us, I seeing so many evils and the whole world, as it were, placed within the grasp of the evil one, being myself as if among the dead, waiting for death to visit me have put into writing truthfully all the things that I have heard.  And lest the writing should perish with the writer and the work fail with the labourer, I leave parchment to continue this work, if perchance any man survive and any of the race of Adam escape this pestilence and carry on the work which I have begun.’  He added two words to his conclusion – ‘great devastation’.   Another hand added – at some later date: ‘Here it seems that the author died.’  Even if there were no other surviving evidence, John Clyn’s words show how painfully the country must have suffered.  The friar records that twenty five of his Franciscan brothers died at their house in Drogheda and twenty three in Dublin.

There are records of several towns filing petitions pleading for relief.   As late as 1354 the tenants of several royal farms around Dublin were claiming that they were reduced to destitution by ‘the plague lately existing in the Country’ and because of ‘the excessive price of provisions.

There are not many records about the spread of the plague in Scotland but we have an account from John of Fordun: ‘In the year 1350’ he wrote, ‘there was in the Kingdom of Scotland so great a pestilence and plague among men as, from the beginning of the world even unto modern times had never been heard of by man, nor is found in books for the enlightenment of those who came after.  For to such a pitch did that plague wreak its cruel spite that nearly a third of mankind were thereby made to pay the debt of nature.  Men shrank from it so much that through fear of contagion, sons, fleeing as from the face of leprosy or from an adder, durst not go and see their parents in the throes of death.’

To survive the Black Death, however, was not to survive unscathed.  Fairly or unfairly medieval people felt that their Church had let them down.  It was taken for granted that the plague was the work of God and the people were often told that they had brought the plague on their own heads.  By their wickedness they had provoked the Divine anger and were now suffering just retribution for their sins.  People noticed that the priests were just as likely to die of the plague as their parishioners.  In spite of the heroism of many of the clergy people also saw that some fell short of what was expected.  Chaucer – and also some Bishops – complained that some priests turned away from the care of their parishes for fear of contagion and death.  The priests who were often hurriedly prepared for ordination to take the places of those who had died were perhaps not always quite of the calibre, spiritually or educationally, of their predecessors.  In Winchester in 1350 twenty-seven new priests were ordained after very little preparation.  It seems that in the years after the plague as society was slowly pulling itself together the Church was not particularly well equipped to give a lead.

Over a decade later, in 1361, the disease returned to ravage France and England once more.  Coming at a time when spiritual resistance was already low, this took the heart out of the Middle Ages.  The many monasteries and Convents in these islands throughout Europe were sadly depleted in numbers and in morale.  In the renewed plague of 1361, seventeen thousand died in Avignon, including a third of the Cardinals.  This proved to be a very strong incentive for the Papacy to return to Rome. 

It seems that following the Black Death there was a sense of pervading gloom.  People had lost so many friends and relations and material things.  They lived in a climate of uncertainty and apprehension.  We now have at least a rudimentary understanding of the workings of our world.  Seven hundred years ago it was very different and strange and frightening.  This mood found expression in the works of the religious artists of the time.  The favourite themes were those of suffering and retribution, Christ’s passion or the tortures of Hell.  Christ was often portrayed as an angry and threatening figure.  The inspiring aspects of Christianity that were reflected in the art of the 13th Century did not shine so brightly as the art of the 15th Century.

Petrarch, in a letter to his brother, a Religious at Monrieux and the only survivor of a monastery of thirty five, says: ‘Consult your historians, they are silent, question your doctors, they are dumb; seek an answer from your philosophers, they shrug their shoulders and frown and with their fingers on their lips bid you to be silent.  Will posterity ever believe these things when we, who see, can scarcely credit them?  O happy people of the future, who have not known these miseries and perchance will class our testimony with the fables.  We have indeed deserved these and even greater punishments, but our forefathers also have deserved them and may our posterity not also merit the same.’

My thanks to ‘The Black Death’ by Philip Ziegler